Part of the upcoming multi-site exhibition Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures, the corn maze From Teosinte to Tomorrow at the NC Museum of Art park will be open through the end of October. Free and open to the public.
Opening Reception for Art's Work/Genetic Futures, a multi-site art-science exhibit and symposium led by the NC State University libraries and the GES Center, held at the Gregg Museum of Art & Design, with additional exhibits in the physical and digital display spaces of the libraries.
Dengue is estimated to infect 390 million individuals a year worldwide, with around 3.9 billion people at risk of infection. Currently, there are no licensed vaccinations or therapeutic treatments for the disease and control of the vector species through conventional methods has proven inefficient and costly. One possible novel vector control technique to prevent outbreaks relies on infection with the bacterium, Wolbachia.
Join us for a discussion of Margaret Atwood's Oryx & Crake in preparation for Ms. Atwood's talks at NC State on November 15.
Cami Ryan joins us from Bayer CropScience and explores the challenges of food, technology, and societies through the lens of a “boundary spanning” personal narrative: a social scientist working in the ag industry.
A Bio Art pioneer, visual artist, and theorist working at the intersection of art and the biological sciences, Anker talks about her work as it relates to Art’s Work in the Age of Biotechnology, setting the stage for author Margaret Atwood’s keynote talk on the novel Oryx & Crake at NC State Talley Student Union the following evening
November 15, 2019 - An Evening with Margaret Atwood. A CHASS Lightning Rod Event: Literature to Explore Our Genetic Engineering Futures. More information at go.ncsu.edu/atwood
Join us for a follow-up discussion to Margaret Atwood's visit to NC State.
Artist Emilia Tikka will talk about her interdisciplinary practice combining storytelling methods, feminist technoscience and speculative design, following with an introduction to her work Eudaimonia.